To make a force of international news, attacks of Somali pirates in the Indian Ocean would one day be brought to the big screen. This fall, the United States, is expected "Captain Phillips", a film by Paul Greengrass with Tom Hanks and Catherine Keener in the title roles, which returns to the recent hijacking of a cargo U.S..
Outside Hollywood, Danish cinema has also discussed the issue with "Hijacking", panting and effective thriller Tobias Lindholm who, after receiving a warm welcome at the last Festival Venice, out Wednesday, July 10 in French theaters.
Far from Hollywood guns
"Hijacking" back on two recently held hostage by Somali pirates on Danish oil and the film could have been lost in the water, sometimes disorders of the film "inspired by facts re , LIVE "in which more than a filmmaker could not avoid the wreck. But control and dexterity with which Tobias Lindholm directs his story – and plans held camera – allow him to avoid the many pitfalls of such .
The main highlight of this deeply human drama is in two characters: on one side, the ragged and bon vivant Mikkel (Pilou Asbaek), chef of the crew forced to play intermediate between pirates and employers, on the other, the austere Peter (Soren Malling), CEO of the Danish owner of the cargo company, which insists on not wanting to negotiate that & rsquo , with the attackers present on the ship. More than a meticulous reconstruction of a news story, "Hijacking" portrays two men brought, despite themselves, to manage an extreme emergency.
In fact, Tobias Lindholm is far from Hollywood guns. Here, no martial music, finely chopped editing, slow motion sequences heroic or breast tears with families of the hostages desperately waiting for news. The storming of the ship, which could ensure a great time sensational, is not even shown on the screen
.
Claustrophobia and intimate violence
The action scenes vitamin content, the Danish filmmaker rather claustrophobic anxiety of the hostages, cloistered in tiny cabins for months and Calvary subdued violence cold negotiations sanitized offices of Danish oil company.
Along the way, the film leaves its protagonists gradually shed their stereotypical traits to be in the public eye. Peter, for example, is not an uncompromising and ruthless boss with fine glasses. It is measured as a man whose sense of responsibility willingly push to pay any ransom to ensure the safe life for its employees.
Similarly, Omar (Abdihakin Asgar), the English spokesman for pirates, is more affable than actually threatening. In fact, Tobias Lindholm is careful to portray the attackers as bloodthirsty villains, and no hesitation to show in one of the few scenes of the film hope , trying to sing "Happy Birthday" with their hostages.
What good, after all?
But taking and well-crafted as it is, "Hijacking" ultimately not escape the question "why bother?" Neither pure entertainment or documentary – despite his relentless accuracy when it comes to restoring the facts – the film was not even the ambition to scrutinize, as brilliantly done Kathryn Bigelow "Zero Dark Thirty" the mecha , mechanisms leading to violence and moral sacrifice.
In the press release of the film, Tobias Lindholm says "Somalis certainly will not agree with that, but the giant fridges sail off their country and I can understand why starving kids want to take it. Why the international community does it do anything? This is a terribly complicated problem. "
Essentially told the Danish point of view, the movie bears no little interest to the geopolitical issues that can lead to acts of piracy in this region. Film captivating and cleverly staged, "Hijacking" remains in the background, too to the surface to create an entire membership.
"Bloody Sunday" and "United 93", made, them, by Paul Greengrass, also followed this path of realistic reproduction of facts which, in spite of many qualities, let viewers a taste of too little. "Bloody Sunday" came back on the events of 30 January 1972 in Northern Ireland, when 14 protesters were killed by gunfire in the British army while "United 93" told the dice , tournement, September 11, the plane that crashed near Pittsburgh.
Hopefully his "Captain Phillips" fits into the no Kathryn Bigelow, which can not cease to admire the ability to overcome the constraints of strict reconstruction to better probe the complexity of the world.