"Martyrs" for some, "terrorists" for others. It is not uncommon to find in the streets and homes of Palestinian Territories pictures of men who carried out attacks against Israel, and who died in a suicide or were killed by the Israeli army. The iconography of a warrior type is explored by Palestinian photographer Ahlam Shibli, who exhibited his work at the Jeu de Paume museum in Paris until September 1. An exhibition that debate.
More than the photographs, it is their legends that are unacceptable to the CRIF [Representative Council of Jewish Institutions in France], which protested against a "glorification of terrorism" and notes that "these People are mostly members of the al-Aqsa Brigades, ISSAL-Cardinal-Qassam Brigades and the Popular Front for the Liberation of Palestine (PFLP), considered a terrorist organization by the Council of the Union European ". CRIF is an example of a photograph representing Osama Buchkar, which, according to legend in the exhibition, "engaged in a martyrdom operation in Netanya." "Actually," said CRIF in a statement, "three people were killed and 59 others injured in Netanya" by this individual.
Confrontation scheduled next Sunday
The Israeli Embassy in France, which sent its services to the museum to see the exhibition, explains in turn have "raised disturbing elements" and in the exhibition and "decided to take the authorities to ask for explanations," according to information obtained by FRANCE 24. For its part, the French Ministry of Culture does not want to react at the moment.
The case is amplified by the Israeli press and relayed over the internet, where circulating petitions and appeals gatherings. An appointment is even set next Sunday, June 16 by pro-Israeli movements to express their discontent. In response, pro-Palestinian groups have called for a "get massively on Sunday preferably to see and judge […] in the interest of this achievement, "wrote the Europalestine site last Saturday. The muséea provided a security strengthened. The scenario looks the same as in 2010, when an exhibition at Museum of Modern Art of the City of Paris had created great controversy and turned sour. Again, it was a reflection on the representation of Palestinians, this time via the work of German photographer Kai Wiedenhöfer. The museum had to close its doors for two hours and call the police. The next day the incident was closed and exposure could reopen.
Refusal to explain the conflict
For its part, the Jeu de Paume museum wishes to remain quiet about the subject, not to further fuel the controversy. However, it specifies that the legends were written entirely by Ahlam Shibli, at the request of the artist, and they are an integral part of œ PIECE. The museum recalls that blurb, written by the curators of the exhibition, presents these photographs and descriptions in context. Photograph of Ahlam "suspends the autonomy of the image and flips it into a system that is no longer used for informational purposes only" and believe the commissioners. The work of photographer "avoids own this medium historical obsession, that provide evidence at all costs. His images refuse to explain the conflict. "
The exhibition is not only focused on the Palestinians and their "martyrs". Ahlam Shibli strength to step back by expanding its theme to very remote countries and situations. It explores more generally uprooting, loss of home. For example, within the gay, lesbian and transgender immigrant from the Middle East, among orphans community in Poland, or the registration of memorials in France, celebrating in the same block the French resistance to the Nazis and the French colonial wars fighters. Tension between the subject and its environment, between a buried near death of his enemy. Contradictions in the same place.
The photographer saw itself in Haifa, Israel. And his work, says the blog "red glasses" on the website of Le Monde, is in line with the Israeli photographer Miki Kratsman, who emerged from anonymity and several Palestinian fighters gave a face. It has drawn the portrait (the cons) of Zakaria Zubeidi, leader of the Martyrs Brigades al-Aqsa in Jenin, weapons in hand and staring into the camera. The photograph was published in the Israeli daily Haaretz and then exposed at the Israel Museum in Jerusalem.